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CHAOS & CARNAGE TOUR

www.LeoPresents.com

CHAOS & CARNAGE TOUR

Whitechapel, Dying Fetus, Revocation, Fallujah, Spite, Buried Above Ground, Uncured

Sun, April 28, 2019

Doors: 3:00 pm / Show: 3:30 pm (event ends at 10:30 pm)

$25.00 - $30.00

This event is 15 and over

CHAOS & CARNAGE TOUR
Whitechapel
Whitechapel
Having spent several years lauded as one of the frontrunners in their genre, in 2012 Whitechapel stand as a defining force in contemporary heavy music. Building dramatically on the trademarked bludgeon of their first three releases, with Whitechapel the Tennessean sextet have inarguably delivered their most intense, dynamic, and downright hostile record to date. Drenched in atmospheric darkness, the record is also rife with gripping melodies that drag the listener in to the tumult, willing or otherwise, and across its ten tracks it is infused with an emotional depth that pointedly separates the band from the plethora of two-dimensional mosh-starters that have sprung up in their wake. "These songs are some of the best material we have released to date, and the whole vibe of the record compelled us to self-title it," states guitarist Alex Wade. "With every record we strive for something different – we're always going to stay true to what Whitechapel is, but we want to evolve and do something that is fresh and engaging both for ourselves and for the people who support us."

Setting the scene with the brooding piano that prefaces the storm of frantic riffs and pulverizing drums of opener "Make It Bleed", it is clear that Whitechapel are coming from a place of pure darkness this time out. At times teetering on the brink of despair while always primed to fight anything and everything that gets in their way, every track has its own personality, fitting perfectly alongside each other to form a breathtaking whole. From the heads down attack of "Section 8" or the merciless "(Cult)uralist" to the apocalyptic drama of "Dead Silence" or the loping grooves of "Possibilities Of An Impossible Existence" the band put it all on the line, creating something that is as honest as it is devastating. "There's a lot of variety on this record – it has the fastest songs we've ever written on it, but it also has the slowest songs we've ever written, so whether you like the slower grooves of A New Era Of Corruption (2010) or the really fast riffs of This Is Exile (2008) there is something for everyone on this album," explains Wade. "It also has a much stronger sense of dynamics, because if you're just smashing someone over the head one hundred percent of the time it can get monotonous, and there's more melody to it too. Some of the choruses are really dark but have so much melody you could almost sing over them – which is something we would never do, but having that dynamic there is exciting to us." Having grown displeased over time with A New Era Of Corruption, primarily due to the fact it was comprised of songs written by individual members rather than as a shared effort, the band rectified this with Whitechapel, and Wade believes this collaboration plays a large part in what sets the record apart from its predecessor. "In the credits of the last record it was like this guy wrote this song, and then this guy wrote that song, whereas there's so much collaboration on this record it wasn't worth going through it to try and list it in the credits, it is the product of our efforts. I think that's cool, and it's good to know that when we work together we're at our finest."

A further contributing factor to the record's power is the addition of drummer Ben Harclerode (ex-Knights Of The Abyss), who joins Wade and guitarists Ben Savage and Zach Householder, bassist Gabe Crisp, and vocalist Phil Bozeman. "Most drummers that we had seen play our songs would kinda have to dumb it down rather than play it exactly the way it was on the record, but Ben sent us a video of him playing "Reprogrammed To Hate" and every single note, every little cymbal accent was there, so we were extremely blown away by how he had replicated what Kevin Lane had played on previous albums," Wade states. "He sent us another video playing the much faster "Father Of Lies" and after that we knew we had to get him down to jam with us. He learned an eleven-song setlist, turned up, sat down behind the kit, and we ran through the whole set without stopping, it was like he had been in the band for years. The power and precision he brings to Whitechapel is just amazing, and having him in with us writing the new record definitely took that side of things to the next level."

While frontman Phil Bozeman has proven himself one of the most formidable vocalists and lyricists in metal of the last few years, his previous efforts pale in comparison to his contributions to Whitechapel. "While it's definitely brutal I would say that first and foremost it's a dark and depressing record," he states. "I didn't go for one big concept that unites all the songs this time out, I just wrote about whatever I was feeling. I like that it's kind of scattered and covers a lot of topics, and I think that's an important part of the record's power." Whether ruminating on his general disillusionment with humanity ("Faces"), decrying the sheep-like nature of society as people allow themselves to be led rather than standing up as leaders themselves ("(Cult)uralist"), or giving in to the belief that there is no hope for the future ("Possibilities Of An Impossible Existence"), Bozeman never pulls a punch, and his vocal performance is equally unflinching. "I didn't want to just have the same monotone kind of screaming, I wanted to branch out and really get the emotion behind it across. This was about getting so angry you just had to let it all out. You're not even worrying about how good it sounds, you're just yelling out of pure spite and rage, and I think that really comes across. I didn't want anyone listening to it thinking it's just the same old bullshit. We're better than that."

Working with producer Mark Lewis (Deicide, Devildriver), according to Wade it was not until they were in the studio and the songs started coming together that the band realized just how good a record they were making. "Honestly, everyone at the beginning of this record was kind of iffy about it," he laughs wryly. "As we were putting the demos together we were like yeah, this stuff's pretty cool but we were a little worried about it. But then when we got in there with Mark, every time we added a layer it just got better and better." Blown away by Harclerode's razor sharp performance and the huge drum sound engineered by Lewis, a killer guitar tone infusing the wealth of punishing riffs with life, and a monstrous bass sound kicking things in the ass, at every turn the band's enthusiasm grew. "It was all just coming together amazingly, and as soon as Phil did his vocals it was like oh my God! This is our favorite record!"

Returning to their rightful place on the road, the band are enthused to take these new songs to their rabid fan base. They stand confident in their belief that their followers will hungrily devour the latest evolution of their sound, and having dramatically bolstered their fan base through blowing away the unsuspecting crowds on 2010's Warped Tour they are sure to draw in new adherents anywhere they play. While Wade firmly believes that the band are still growing and striving to improve, for now he could not be happier with the fruits of their labor. "Every band at some point plateaus, it's inevitable, but we're not there yet, we're still growing, and I think this record proves that. Looking at the finished thing – the music, the vocals, the overall vibe behind it, all the way down to the mix and the master – it's almost like a perfect storm where everything came together just right and resulted in the record that we needed to put out."
Dying Fetus
Dying Fetus
Dying Fetus is a brutal death metal band formed in 1991 in Upper Marlboro, Maryland, United States.

Dying Fetus's music is a hybrid of death metal and grindcore, characterized by extremely fast blast beats, complex riffing and slow breakdowns. Lyrics-wise, the band dabbled in the usual gory death metal subject matter on their early albums, and respectfully covered "Born in a Casket," a song originally written by famous death metal band Cannibal Corpse. By 2000's Destroy the Opposition, however, they shifted towards politically driven lyrics. Their lyrics are often left-wing, mostly consisting of aggressive critique addressed towards things such as religion, corporations, consumerism and war. Their fusion of death and grind is called Slam.
Revocation
Revocation
In 2000, vocalist David Davidson, drummer Phil Dubois-Coyne and bassist Anthony Buda, who attended a high school in Boston, Massachusetts, formed Cryptic Warning, influenced by Guns N' Roses and Metallica. The band's sound is known for being a fusion of technical death metal and thrash metal. Davidson developed his playing technique by attending the Berklee College of Music, where he focused on polyrhythm for jazz. This musical education brought him a expertise in both playing and songwriting, while "some of the atonal aspects of jazz gave him a different perspective on composing and soloing.
Fallujah
Fallujah
In Early 2007 A group of high school friends (Alex Hofmann, Scott Carstairs, Tommy Logan, Dan Wissinger, And Suliman Arghandiwal) from the east bay first started jamming and writing music. The initial product being both misguided and adolescent, the band played its first show on June 15th 2007 In walnut creek. The First 4 song Demo (which is and forever will be out of print) was released in late june of 2007. The songs "tyrant", "verdict", Schleicher", And "Infidel" were the first tracks to define the bands sound, which at the times was hardcore grind and death metal in the vein of The Acacia Strain, Converge, and Despised Icon.


Later that year the bands parted with their bassist Dan Wissinger due to other commitments and their drummer Tommy Logan as well. Brandon "Brando" Hoberg (ex-Vivisection) Joined on bass and Andrew Baird (ex Someones Lullaby) On drums. The band continued to play shows around the bay area and over time broke out into areas such as the Central Valley, Sacramento, and Central Coast. In Winter 2007 The band recorded their 2nd demo (Which is and forever will be out of print) at TWS studios in Vacaville. The songs "Prophets", "Tyrant", and "100 Years From Now" pushed the band further in the realm of musicianship and well rounded song structure. The songs were released January 2008.


After nearly a year of playing songs from previous recordings, the band had done quite a bit of growing musically and began writing their debut EP which was eventually named "Leper Colony". Prior to recording, the band parted ways with their original singer Suliman for personal reasons and guitar player Alex Hofmann took up vocals and Rob Maramonte (ex-Eviscerated) joined on as a new guitar player. The songs were a huge leap forward on maturity as the band truly defined their own sound blending technical death metal, black metal, and atmosphere while still retaining a heavy and energetic vibe. The band Recorded with Sam Pura of Panda Studios in San Francisco. The Songs were released in January of 2009.


The band expanded its conquered territory and reputation greatly in the months after The Release of "Leper Colony". The band ventured from Chico, Fresno, Bakersfield, and in the summer of 2009 the band embarked on its first legitimate tour with Oakland's Antagony. The band toured California, Oregon, Washington, Idaho, Utah, Colorado, New Mexico, and Arizona. The bands came home successful after over 2 weeks of basement shows, parties, and van breakdowns.


Fallujah has since evolved to be one of those most aspiring and respected SF Bay area bands. The band evolved once again both musically and lyrically with songs concerning Satanism, religious fundamentalism, secret societies, nature, and social fallacies. With imagery provided by Artist and Singer Alex Hofmann the band progressed visually as well to a finely tuned machine. In late summer 2009 the band started writing their 2nd EP taking their largest leap forward combining atmospheric and depressive black metal, progressive death metal, and fusion to truly define a unique sound unlike anything else heard in the underground music scene. With the help of mini labels "Grind-house Music" and "Foot & Mouth Records" the EP is to be released worldwide. The band once again evolved in form with the parting of longtime bassist and guitar player Brandon Hoberg and Rob Maramonte due to musical and personal differences. The band took in Anthony Borges(ex-Scourge of Medusa, Valkyrja, and Suffokate) and Danny Farhoud (ex-Scourge of Medusa and Valkyrja). The band will be embarking on a month long US tour with friends Rise of Caligula and plans to release its next album in January 2010.
Spite
Spite
Hailing from the Bay Area, Spite is a five piece metal band ready to redefine the boundaries of heavy music. Formed in fall 2014, the band released their first EP titled "Misery" February 2015, to be followed by their self-titled full length December of 2015. Avoiding the pitfalls and labels of sub genres, Spite writes heavy, aggressive music with the sole purpose of bringing out the inner rage inside us all.
Buried Above Ground
Buried Above Ground
Uncured
Uncured
Venue Information:
The Cabooze
917 Cedar Ave
Minneapolis, MN, 55404
http://www.cabooze.com